67 bars of 4/4 at a walking 78 BPM, 3:26 of playing, on crash, hi-hat, snare, floor tom and kick.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-11, hi-hat through bars 12-16, kick and crashes through bars 17-18, hi-hat through bars 19-31, kick and crashes through bars 32-33 and hi-hat through bars 34-58, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 35-39, 52 and 54, and 1 more place -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
35
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |r-------r-------|
BD |---xx-------x---|3 fills to learn, played 9 times: bars 26, 47, 48, 62, 63, 64 and 3 more.
It cuts the song into 28 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
67 bars, about 3:26 at the written tempo. The course breaks it into 28 exercises over 7 sittings, about 29 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 9 times: bars 26, 47, 48, 62, 63, 64 and 3 more.