125 bars of 4/4 at 132 BPM, about 3:47 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 9-15, 17-22 and 61-67, and 7 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 42 times: bars 16, 24, 28, 30, 31, 32 and 36 more.
13 more fills are written out on the fills page.
125 bars across 11 sections: 61 keep time, 42 are fills, 3 are stops and 10 are silent. The longest unbroken stretch of time is bars 9-15.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
125 bars, about 3:47 at the written tempo. The course breaks it into 44 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 42 times: bars 16, 24, 28, 30, 31, 32 and 36 more.