469 bars of 4/4 at 116 BPM, about 16:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 136-142, 144-149 and 174, and 9 more places -- 8.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
47 fills to learn, played 90 times: bars 2, 10, 34, 35, 36, 37 and 84 more.
44 more fills are written out on the fills page.
469 bars across 38 sections: 268 keep time, 91 are fills, 49 are stops and 10 are silent. The longest unbroken stretch of time is bars 109-129.
116 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
469 bars, about 16:27 at the written tempo. The course breaks it into 184 exercises over 55 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
47 fills to learn, played 90 times: bars 2, 10, 34, 35, 36, 37 and 84 more.