287 bars of 4/4 at 130 BPM, about 8:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 1-3, 5-7 and 10-12, and 16 more places -- 19.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 39 times: bars 26, 27, 28, 29, 30, 31 and 33 more.
6 more fills are written out on the fills page.
287 bars across 19 sections: 213 keep time, 39 are fills, 10 are stops and 10 are silent. The longest unbroken stretch of time is bars 234-275.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
287 bars, about 8:50 at the written tempo. The course breaks it into 56 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 39 times: bars 26, 27, 28, 29, 30, 31 and 33 more.