72 bars of 4/4 at 138 BPM, about 2:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-13, 15-17 and 19-24, and 4 more places -- 34.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
72 bars across 4 sections: 61 keep time and 8 are silent. The longest unbroken stretch of time is bars 9-43.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
72 bars, about 2:05 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.