113 bars of 4/4 at 126 BPM, about 3:35 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-19, 25-27 and 41-47, and 2 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 11 times: bars 32, 56, 60, 76, 88, 89 and 5 more.
1 more fill is written out on the fills page.
113 bars across 15 sections: 53 keep time, 11 are fills, 16 are stops and 18 are silent. The longest unbroken stretch of time is bars 13-19.
126 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
113 bars, about 3:35 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 32, 56, 60, 76, 88, 89 and 5 more.