The beat the song is built on is a 2-bar phrase, played through bars 22-28, 30-36 and 38-44, and 9 more places -- 48.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
It is played on crash, hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 35 out of 100 -- a fair first song -- and the thing that decides that is the independence between the hands and the feet.
The whole song is 31 out of 100, so the beat is most of what the song asks for. Get it clean and the rest follows.
The room opens this beat on its simplest reduction, at 131 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 131, 153 and 175 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, hi-hat, snare and kick, in 4/4 at 175 BPM, counted in sixteenth notes. It is written out above, and it covers 48.9% of the bars the kit plays.
Bars 22-28, 30-36, 38-44 and 66-72, and 8 more places. The time is kept on the silence to start with, and it changes 13 times over the song.
35 out of 100 on its own -- a fair first song. The song as a whole is 31 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.