169 bars of 4/4 at 144 BPM, about 4:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-16, hi-hat through bars 17-32, snare through bars 33-56, hi-hat through bars 57-72, snare through bars 73-88 and ride through bars 89-112, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 45 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
33
1...........2...........3...........4...........
CC |x-----------x-----------x-----------x-----------|
SD |------------------------x-----------x-----------|
BD |x-----------------x-----------------------x-----|7 fills to learn, played 12 times: bars 32, 38, 44, 72, 76, 84 and 6 more.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
144 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
169 bars, about 4:42 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 32, 38, 44, 72, 76, 84 and 6 more.