169 bars of 4/4 at 144 BPM, about 4:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 45 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 12 times: bars 32, 38, 44, 72, 76, 84 and 6 more.
3 more fills are written out on the fills page.
169 bars across 17 sections: 111 keep time, 12 are fills and 26 are stops. The longest unbroken stretch of time is bars 89-110.
144 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
169 bars, about 4:42 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 32, 38, 44, 72, 76, 84 and 6 more.