130 bars of 4/4 at 120 BPM, about 4:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11, 13-14 and 34, and 9 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 51 times: bars 15, 16, 20, 24, 26, 30 and 45 more.
13 more fills are written out on the fills page.
130 bars across 18 sections: 55 keep time, 52 are fills, 8 are stops and 2 are silent. The longest unbroken stretch of time is bars 1-7.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 55 out of 100; the rest of the number is everything around it.
130 bars, about 4:18 at the written tempo. The course breaks it into 53 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 51 times: bars 15, 16, 20, 24, 26, 30 and 45 more.