The beat the song is built on is one bar, played through bars 30-31, 33 and 37, and 11 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on crash and snare, counted in thirty-second notes. On its own it scores 5 out of 100 -- straightforward -- and the thing that decides that is how fine the subdivision is.
The whole song is 64 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 101 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 101, 118 and 135 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on crash and snare, in 4/4 at 135 BPM, counted in thirty-second notes. It is written out above, and it covers 26.4% of the bars the kit plays.
Bars 30-31, 33, 37 and 41, and 10 more places. The time is kept on the toms to start with, and it changes 11 times over the song.
5 out of 100 on its own -- straightforward. The song as a whole is 64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.