220 bars of 4/4 at 120 BPM, about 7:19 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 9 more places -- 5.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 42 times: bars 16, 31, 32, 40, 44, 46 and 36 more.
14 more fills are written out on the fills page.
220 bars across 17 sections: 64 keep time, 42 are fills, 87 are stops and 12 are silent. The longest unbroken stretch of time is bars 18-24.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
220 bars, about 7:19 at the written tempo. The course breaks it into 66 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 42 times: bars 16, 31, 32, 40, 44, 46 and 36 more.