112 bars of 4/4 at 145 BPM, about 3:05 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-13, 15-17 and 19-21, and 8 more places -- 29.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 10 times: bars 38, 42, 74, 78, 94, 96 and 4 more.
1 more fill is written out on the fills page.
112 bars across 10 sections: 80 keep time, 10 are fills, 5 are stops and 6 are silent. The longest unbroken stretch of time is bars 12-30.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
112 bars, about 3:05 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 38, 42, 74, 78, 94, 96 and 4 more.