164 bars of 4/4 at 130 BPM, about 5:01 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27, 29 and 31, and 13 more places -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 33 times: bars 42, 43, 44, 46, 78, 82 and 27 more.
16 more fills are written out on the fills page.
164 bars across 13 sections: 80 keep time, 33 are fills, 17 are stops and 22 are silent. The longest unbroken stretch of time is bars 48-69.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
164 bars, about 5:01 at the written tempo. The course breaks it into 55 exercises over 19 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 33 times: bars 42, 43, 44, 46, 78, 82 and 27 more.