107 bars of 4/4 at 129 BPM, about 3:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25, 28-30 and 33, and 5 more places -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 26 times: bars 1, 2, 3, 4, 14, 15 and 20 more.
5 more fills are written out on the fills page.
107 bars across 13 sections: 62 keep time, 26 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 28-40.
129 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
107 bars, about 3:23 at the written tempo. The course breaks it into 38 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 26 times: bars 1, 2, 3, 4, 14, 15 and 20 more.