275 bars of 4/4 at 130 BPM, about 8:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 55, 57-58 and 61-63, and 15 more places -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 39 times: bars 24, 26, 34, 36, 40, 42 and 33 more.
10 more fills are written out on the fills page.
275 bars across 21 sections: 137 keep time, 39 are fills and 71 are stops. The longest unbroken stretch of time is bars 1-23.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
275 bars, about 8:28 at the written tempo. The course breaks it into 73 exercises over 23 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 39 times: bars 24, 26, 34, 36, 40, 42 and 33 more.