132 bars of 4/4 at 140 BPM, about 3:46 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 14 more places -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
132 bars across 12 sections: 106 keep time and 23 are silent. The longest unbroken stretch of time is bars 15-35.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 22 out of 100; the rest of the number is everything around it.
132 bars, about 3:46 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.