78 bars of 4/4 at 117 BPM, about 2:40 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 22, 24 and 26, and 10 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
78 bars across 11 sections: 47 keep time and 21 are silent. The longest unbroken stretch of time is bars 63-78.
117 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
78 bars, about 2:40 at the written tempo. The course breaks it into 24 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.