116 bars of 4/4 at 113 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
70 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-7, snare through bars 8-9, hi-hat through bars 10-18, snare through bars 19-33, hi-hat through bars 34-36 and snare through bars 37-38, and 10 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 27-31, 33 and 37, and 3 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 28
1...............2...............3...............4............... 1...............2...............3...............4...............
CC |x---------------x---------------x---------------x---------------|x---------------x---------------x---------------x---------------|
RD |----------------------------------------------------------------|------------------------------------------------x---------------|
HH |----------------------------------------------------------------|----------------------------------------------------o---x---o---|
SD |--------------------------------x-------------------------------|--------x-----------------------x-------------------------------|
BD |x-------x-------x-------x-------x-------x-------x-------x---x---|x---------------x-------x---x-----------x---x---x---x---x---x---|10 fills to learn, played 13 times: bars 3, 7, 14, 18, 21, 26 and 7 more.
It cuts the song into 55 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
113 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
116 bars, about 4:08 at the written tempo. The course breaks it into 55 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 13 times: bars 3, 7, 14, 18, 21, 26 and 7 more.