302 bars of 4/4 at 135 BPM, about 10:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 49-56, 61-68 and 87-94, and 3 more places -- 18.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 31 times: bars 11, 12, 28, 32, 36, 40 and 25 more.
8 more fills are written out on the fills page.
302 bars across 35 sections: 180 keep time, 31 are fills, 17 are stops and 39 are silent. The longest unbroken stretch of time is bars 120-146.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
302 bars, about 10:00 at the written tempo. The course breaks it into 71 exercises over 22 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 31 times: bars 11, 12, 28, 32, 36, 40 and 25 more.