244 bars of 4/4 at 133 BPM, about 7:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-17, silence through bars 18-20, hi-hat through bars 21-36, snare through bars 37-68, hi-hat through bars 69-86 and snare through bars 87-142, and 5 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 3-4, 7-8 and 11-12, and 15 more places -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 4
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x-X-x---x---x---|x---x-x-x---x---|
SD |--x-------------|x-----x---------|
BD |x-----x-x---x-x-|--x-x-----x-x---|20 fills to learn, played 68 times: bars 1, 2, 4, 14, 24, 30 and 62 more.
It cuts the song into 76 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
244 bars, about 7:20 at the written tempo. The course breaks it into 76 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 68 times: bars 1, 2, 4, 14, 24, 30 and 62 more.