244 bars of 4/4 at 133 BPM, about 7:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3-4, 7-8 and 11-12, and 15 more places -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 68 times: bars 1, 2, 4, 14, 24, 30 and 62 more.
16 more fills are written out on the fills page.
244 bars across 18 sections: 118 keep time, 68 are fills, 2 are stops and 35 are silent. The longest unbroken stretch of time is bars 150-165.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
244 bars, about 7:20 at the written tempo. The course breaks it into 76 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 68 times: bars 1, 2, 4, 14, 24, 30 and 62 more.