199 bars of 4/4 at 120 BPM, about 6:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-25, 27-33 and 35-40, and 5 more places -- 24.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 30 times: bars 1, 10, 34, 42, 44, 46 and 24 more.
9 more fills are written out on the fills page.
207 bars across 17 sections: 120 keep time, 30 are fills, 16 are stops and 28 are silent. The longest unbroken stretch of time is bars 12-33.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
199 bars, about 6:31 at the written tempo. The course breaks it into 60 exercises over 19 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 30 times: bars 1, 10, 34, 42, 44, 46 and 24 more.