204 bars at 220 BPM -- fast, and 3:43 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-5, hi-hat through bars 6-24, snare through bars 25-36, hi-hat through bars 37-48, snare through bars 49-56 and hi-hat through bars 57-64, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 91-94, 100 and 173-174, and 4 more places -- 8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
173
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x---x-x---x-x-x-|21 fills to learn, played 58 times: bars 3, 19, 26, 29, 34, 39 and 52 more.
It cuts the song into 73 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
220 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
204 bars, about 3:43 at the written tempo. The course breaks it into 73 exercises over 20 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 58 times: bars 3, 19, 26, 29, 34, 39 and 52 more.