113 bars of 4/4 at 136 BPM, about 3:19 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11, 37-39 and 47, and 4 more places -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 33 times: bars 4, 8, 10, 12, 28, 29 and 27 more.
9 more fills are written out on the fills page.
113 bars across 12 sections: 58 keep time, 33 are fills and 7 are stops. The longest unbroken stretch of time is bars 13-19.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
113 bars, about 3:19 at the written tempo. The course breaks it into 54 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 33 times: bars 4, 8, 10, 12, 28, 29 and 27 more.