319 bars of 4/4 at 128 BPM, about 9:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
kick and crashes through bars 1-2, hi-hat through bars 3-6, toms through bars 7-18, hi-hat through bars 19-38, ride through bars 39-42 and hi-hat through bars 43-48, and 22 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 19-25, 69-75 and 101-107, and 2 more places -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 20
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |----x-------x---|--------x---x---|
HH |--------o-------|o---o-----------|
SD |----x-------x---|----x---x---x---|
BD |x-x-----x-----x-|--x---x---x-----|13 fills to learn, played 27 times: bars 7, 8, 9, 10, 11, 12 and 21 more.
It cuts the song into 96 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
319 bars, about 9:58 at the written tempo. The course breaks it into 96 exercises over 24 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 27 times: bars 7, 8, 9, 10, 11, 12 and 21 more.