319 bars of 4/4 at 128 BPM, about 9:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 19-25, 69-75 and 101-107, and 2 more places -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 27 times: bars 7, 8, 9, 10, 11, 12 and 21 more.
9 more fills are written out on the fills page.
319 bars across 31 sections: 228 keep time, 27 are fills, 9 are stops and 11 are silent. The longest unbroken stretch of time is bars 128-167.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
319 bars, about 9:58 at the written tempo. The course breaks it into 96 exercises over 24 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 27 times: bars 7, 8, 9, 10, 11, 12 and 21 more.