183 bars of 4/4 at 140 BPM, about 5:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-15, 33-35 and 37-39, and 10 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 36 times: bars 4, 8, 12, 16, 20, 24 and 30 more.
9 more fills are written out on the fills page.
183 bars across 12 sections: 105 keep time, 36 are fills and 28 are silent. The longest unbroken stretch of time is bars 67-81.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 51 out of 100; the rest of the number is everything around it.
183 bars, about 5:13 at the written tempo. The course breaks it into 52 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 36 times: bars 4, 8, 12, 16, 20, 24 and 30 more.