87 bars of 4/4 at 110 BPM, about 3:10 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-4, 13 and 16, and 14 more places -- 33.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 10 times: bars 18, 25, 27, 39, 48, 57 and 4 more.
2 more fills are written out on the fills page.
87 bars across 10 sections: 64 keep time, 10 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 62-76.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
87 bars, about 3:10 at the written tempo. The course breaks it into 28 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 18, 25, 27, 39, 48, 57 and 4 more.