112 bars of 4/4 at a walking 108 BPM, 3:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-19, snare through bars 20-22, hi-hat through bars 23-53, snare through bars 54-56, hi-hat through bars 57-69 and silence through bars 70-109, and 1 more change after that.
The beat the song is built on is a 2-bar phrase, played through bars 2-4, 7-8 and 11-12, and 6 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 4
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x---|
SD |xxxxx--xxxxxx--x|xxxxx--xxxxx-XxX|
BD |x---x-x-x---x-x-|x---x-x-x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
112 bars, about 3:59 at the written tempo. The course breaks it into 18 exercises over 8 sittings, about 21 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.