112 bars of 4/4 at a walking 108 BPM, 3:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-4, 7-8 and 11-12, and 6 more places -- 27.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
112 bars across 8 sections: 63 keep time and 39 are silent. The longest unbroken stretch of time is bars 1-15.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
112 bars, about 3:59 at the written tempo. The course breaks it into 18 exercises over 8 sittings, about 21 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.