56 bars of 4/4 at 120 BPM, about 1:52 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 7 and 14-16, and 3 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 4 times: bars 30, 31, 32 and 56.
56 bars across 16 sections: 31 keep time, 4 are fills and 17 are silent. The longest unbroken stretch of time is bars 1-7.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 61 out of 100; the rest of the number is everything around it.
56 bars, about 1:52 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 30, 31, 32 and 56.