130 bars of 4/4 at 144 BPM, about 3:37 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-14, 29-31 and 54-56, and 4 more places -- 21.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 26 times: bars 4, 8, 9, 20, 28, 32 and 20 more.
8 more fills are written out on the fills page.
130 bars across 15 sections: 77 keep time, 26 are fills and 7 are stops. The longest unbroken stretch of time is bars 116-130.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 46 out of 100; the rest of the number is everything around it.
130 bars, about 3:37 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 27 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 26 times: bars 4, 8, 9, 20, 28, 32 and 20 more.