245 bars of 4/4 at 138 BPM, about 7:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 22-24, 26-27 and 34-36, and 10 more places -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 32 times: bars 21, 25, 41, 45, 69, 73 and 26 more.
14 more fills are written out on the fills page.
245 bars across 28 sections: 148 keep time, 32 are fills, 20 are stops and 20 are silent. The longest unbroken stretch of time is bars 1-17.
138 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
245 bars, about 7:07 at the written tempo. The course breaks it into 75 exercises over 25 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 32 times: bars 21, 25, 41, 45, 69, 73 and 26 more.