245 bars of 4/4 at 138 BPM, about 7:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
hi-hat through bars 1-17, ride through bars 18-21, hi-hat through bars 22-29, ride through bars 30-33, hi-hat through bars 34-45 and ride through bars 46-49, and 20 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 22-24, 26-27 and 34-36, and 10 more places -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 23
1.....2.....3.....4..... 1.....2.....3.....4.....
CC |x-----------------------|------------------------|
HH |---x--x--x--x--x--x--x--|x--x--x--x--x--x--o-----|
SD |------x-----------x-----|------x-----------x-----|
BD |x--x-----x-----x-----x--|---x-----x--x--x--------|18 fills to learn, played 32 times: bars 21, 25, 41, 45, 69, 73 and 26 more.
It cuts the song into 75 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
245 bars, about 7:07 at the written tempo. The course breaks it into 75 exercises over 25 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 32 times: bars 21, 25, 41, 45, 69, 73 and 26 more.