64 bars of 4/4 at 120 BPM, about 2:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-4 and 32-34 -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 9 times: bars 3, 5, 9, 14, 23, 27 and 3 more.
2 more fills are written out on the fills page.
64 bars across 14 sections: 30 keep time, 9 are fills, 9 are stops and 7 are silent. The longest unbroken stretch of time is bars 40-44.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
64 bars, about 2:06 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 9 times: bars 3, 5, 9, 14, 23, 27 and 3 more.