194 bars of 4/4 at 120 BPM, about 6:48 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 27-38, 49 and 51, and 16 more places -- 26.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 41 times: bars 25, 26, 39, 40, 44, 57 and 35 more.
10 more fills are written out on the fills page.
194 bars across 18 sections: 112 keep time, 41 are fills, 10 are stops and 10 are silent. The longest unbroken stretch of time is bars 1-24.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
194 bars, about 6:48 at the written tempo. The course breaks it into 53 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 41 times: bars 25, 26, 39, 40, 44, 57 and 35 more.