127 bars of 4/4 at 125 BPM, about 4:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3, 7 and 9, and 13 more places -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 49 times: bars 2, 4, 6, 8, 12, 20 and 43 more.
7 more fills are written out on the fills page.
127 bars across 9 sections: 67 keep time and 49 are fills. The longest unbroken stretch of time is bars 118-127.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
127 bars, about 4:04 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 49 times: bars 2, 4, 6, 8, 12, 20 and 43 more.