321 bars of 6/4 -- not four -- at 140 BPM, 11:39 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 107-122, 133-146 and 170-176, and 10 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 25 times: bars 32, 33, 34, 35, 36, 37 and 19 more.
7 more fills are written out on the fills page.
488 bars across 39 sections: 254 keep time, 26 are fills, 40 are stops and 129 are silent. The longest unbroken stretch of time is bars 134-150.
140 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
321 bars, about 11:39 at the written tempo. The course breaks it into 102 exercises over 28 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 25 times: bars 32, 33, 34, 35, 36, 37 and 19 more.