121 bars of 4/4 at 126 BPM, about 3:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 24-25, 37-38 and 64-65, and 4 more places -- 8.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 51 times: bars 21, 22, 23, 26, 31, 32 and 45 more.
17 more fills are written out on the fills page.
123 bars across 16 sections: 48 keep time, 51 are fills, 6 are stops and 1 is silent. The longest unbroken stretch of time is bars 1-10.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
121 bars, about 3:47 at the written tempo. The course breaks it into 61 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 51 times: bars 21, 22, 23, 26, 31, 32 and 45 more.