121 bars of 4/4 at 126 BPM, about 3:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-15, ride through bars 16-23, snare through bars 24-27, ride through bars 28-34 and hi-hat through bars 35-36, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 24-25, 37-38 and 64-65, and 4 more places -- 8.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24
1e+a2e+a3e+a
CC |x--x--x--x--|
SD |--x--x--x--x|
BD |x--x--x--x--|19 fills to learn, played 51 times: bars 21, 22, 23, 26, 31, 32 and 45 more.
It cuts the song into 61 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
121 bars, about 3:47 at the written tempo. The course breaks it into 61 exercises over 20 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 51 times: bars 21, 22, 23, 26, 31, 32 and 45 more.