The beat the song is built on is one bar, played through bars 23, 30-31 and 34-35, and 11 more places -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on snare and kick, counted in sixteenth notes. On its own it scores 5 out of 100 -- straightforward -- and the thing that decides that is how many notes a second it asks for.
The whole song is 20 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 165 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 165, 193 and 220 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on snare and kick, in 2/4 at 220 BPM, counted in sixteenth notes. It is written out above, and it covers 23.7% of the bars the kit plays.
Bars 23, 30-31, 34-35 and 42-47, and 10 more places. The time is kept on the kick and crashes to start with, and it changes 13 times over the song.
5 out of 100 on its own -- straightforward. The song as a whole is 20 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet.