172 bars of 4/4 at 140 BPM, about 4:44 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 87-90, 111-115 and 119-120, and 12 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 63 times: bars 11, 12, 13, 14, 15, 16 and 57 more.
11 more fills are written out on the fills page.
172 bars across 13 sections: 85 keep time, 63 are fills, 5 are stops and 6 are silent. The longest unbroken stretch of time is bars 97-109.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
172 bars, about 4:44 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 63 times: bars 11, 12, 13, 14, 15, 16 and 57 more.