172 bars of 4/4 at 140 BPM, about 4:44 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-16, snare through bars 17-24, hi-hat through bars 25-45, snare through bars 46-75, silence through bars 76-80 and hi-hat through bars 81-95, and 5 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 87-90, 111-115 and 119-120, and 12 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
119 120
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x-------|
SD |--------x-------|--------x-------|
T2 |----------------|--x---------x-x-|
FT |----------------|------------x-x-|
BD |x-----x-----x-x-|------x---x-----|12 fills to learn, played 63 times: bars 11, 12, 13, 14, 15, 16 and 57 more.
It cuts the song into 47 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
172 bars, about 4:44 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 63 times: bars 11, 12, 13, 14, 15, 16 and 57 more.