207 bars of 4/4 at 137 BPM, about 6:03 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 45-50, 53-54 and 56-57, and 16 more places -- 30% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 17 times: bars 44, 52, 84, 92, 104, 112 and 11 more.
2 more fills are written out on the fills page.
207 bars across 14 sections: 167 keep time, 17 are fills, 3 are stops and 4 are silent. The longest unbroken stretch of time is bars 13-43.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
207 bars, about 6:03 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 17 times: bars 44, 52, 84, 92, 104, 112 and 11 more.