288 bars of 4/4 at 115 BPM, about 10:01 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 45 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 32 times: bars 16, 24, 32, 40, 48, 72 and 26 more.
10 more fills are written out on the fills page.
288 bars across 19 sections: 181 keep time, 32 are fills, 38 are stops and 15 are silent. The longest unbroken stretch of time is bars 261-288.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
288 bars, about 10:01 at the written tempo. The course breaks it into 54 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 32 times: bars 16, 24, 32, 40, 48, 72 and 26 more.