288 bars of 4/4 at 115 BPM, about 10:01 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-16, ride through bars 17-56, hi-hat through bars 57-88, ride through bars 89-92, hi-hat through bars 93-96 and ride through bars 97-104, and 14 more changes after that.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 45 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19
1e+a2e+a3e+a4e+a
RD |x---x---x---x---|
SD |--------x-------|
BD |x-------------x-|14 fills to learn, played 32 times: bars 16, 24, 32, 40, 48, 72 and 26 more.
It cuts the song into 54 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
288 bars, about 10:01 at the written tempo. The course breaks it into 54 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 32 times: bars 16, 24, 32, 40, 48, 72 and 26 more.