125 bars of 4/4 at 129 BPM, about 3:53 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-23 and 37-43 -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 25 times: bars 24, 28, 31, 32, 34, 35 and 19 more.
3 more fills are written out on the fills page.
125 bars across 9 sections: 70 keep time, 25 are fills, 10 are stops and 14 are silent. The longest unbroken stretch of time is bars 85-106.
129 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
125 bars, about 3:53 at the written tempo. The course breaks it into 26 exercises over 6 sittings, about 31 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 25 times: bars 24, 28, 31, 32, 34, 35 and 19 more.