66 bars of 4/4 at a walking 78 BPM, 3:23 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-21, 31-33 and 49-51 -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 9 times: bars 34, 38, 52, 56, 58, 62 and 3 more.
66 bars across 11 sections: 27 keep time, 9 are fills, 1 is a stop and 14 are silent. The longest unbroken stretch of time is bars 17-21.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
66 bars, about 3:23 at the written tempo. The course breaks it into 26 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 34, 38, 52, 56, 58, 62 and 3 more.