141 bars of 4/4 at 140 BPM, about 3:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 30-36, 54-56 and 58-60, and 2 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 21 times: bars 3, 4, 8, 10, 11, 12 and 15 more.
8 more fills are written out on the fills page.
141 bars across 14 sections: 92 keep time, 21 are fills, 11 are stops and 1 is silent. The longest unbroken stretch of time is bars 63-75.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 42 out of 100; the rest of the number is everything around it.
141 bars, about 3:59 at the written tempo. The course breaks it into 55 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 21 times: bars 3, 4, 8, 10, 11, 12 and 15 more.